Each director's manuscript style is different, among which Tsui Hark's strong martial arts style brings back endless memories of his previous works with a strong sense of martial arts. However, it has to be questioned why Zhang Yimou and Stephen Chow both have their own "female" stars, achieving their own "female" empire, while Tsui Hark, who is the best at shooting women, has never had a "Ke female"?
But Tsui Hark did not change his path to Wang Jing's, but instead persisted in his own old ways, refusing to take photos of others. Everyone else talks about the legend of the Bai Suzhen. He wants to shoot Green Snake. And Wang Zuxian in "Green Snake" also achieved his own path as a goddess in Xu Laoguai's classic works one after another.
But seeing Wang Zuxian who volunteered, Tsui Hark also felt that there seemed to be a possibility of digging deeper. So almost from scratch, he gradually taught Wang Zuxian classical dance, constantly stimulating another kind of beauty in her body. Eventually, Nie Xiaoqian emerged in the air, and people exclaimed, "There will be no Nie Xiaoqian after Wang Zuxian.
2. Why don't you deserve to have a 'K' girl
In addition to Lin Qingxia and Wang Zuxian, there are countless classic female characters under Tsui Hark, and there are also numerous female stars who have participated in Tsui Hark's films. But after the famous directors Zhang Yimou and Stephen Chow each had their own first, second, and third generation of Mou girls and Star girls, did Tsui Hark never have a "Ke" girl?
This may reflect the strange and unique nature of Xu Laoguai. Looking around at the directors Zhou and Zhang, their star girl was no doubt not a "new person" when she started her career, such as Mou girls Zhou Dongyu and Ni Ni... Even if she was not a pure new person, she was not a famous person before shooting their works, such as the star girl Huang Shengyi.
From one charm to another, although the words have not changed, the feeling is completely different. This is Tsui Hark's ability to shape people, especially beauties. Tsui Hark discovered that the ability of beautiful women to be different in beauty has also had magical effects on star girls. Zhang Yuqi, who was successful in filming Changjiang No. 7 that year, was found by Tsui Hark and was included in Women Are Not Bad.
Unlike the classical, simple and gentle beauty in Changjiang No. 7, Zhang Yuqi in Women Are Not Bad can be said to move her real self to the set. Tang Lu's outspoken, self-confident, assertive and courageous style is just like the real Zhang Yuqi, and Tsui Hark, as a director, has really discovered the beauty of Zhang Yuqi's invincible aura.
Even Zhang Yuqi, who played a guest role in "Mermaid" by Xingye later, still continued the hegemonic beauty and temperament in "Women Are Not Bad". It seems that Zhang Yuqi, as herself, is quite receptive to the beauty found by Tsui Hark.
3. It's not that I don't deserve it, it's that I don't want to
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Xu Ke's role in these famous women is like the distance between the split shot manuscript and the finished film. Although creating on a blank sheet of paper is a test of strength, it is not an easy task compared to allowing a famous painting to showcase a different beauty through one's own creation, or even surpass the achievements achieved in the past.
And Tsui Hark is the person holding the X, he never limits his perspective to a single range, but is accustomed to skipping the scene in front of him
